New Auto-Makeup Gain algorithms for most types provides better output level tracking vs.Added graph for Analog Compressor and Sustainer types.The range of the Release Time has been increased to 2ms to 2s.This is based on a rare JFET-based pedal compressor where the JFET is in the op-amp’s feedback network. This is an upwards compressor using the same “analog” gain computer as the Analog Compressor type yielding a natural soft-knee response. Added Optical Sustainer type based on optocoupler-based pedal compressors.New algorithm also supports various detector types. New algorithm features improved ballistics and inherent soft knee for vintage optical compression sounds. Type has been renamed Studio FF Compressor. This type is suitable for a wide range of uses now including bus and mastering. New algorithm yields smoother release and “fatter” compression. This replicates the “Shred” switch on the Mesa/Boogie JP2C.Īdded “Bosom Boost” Drive model based on a Friedman Buxom Boost.Īdded “OD-One Overdrive” Drive model based on a Boss OD-1. Reverted bypass speed of Drive block to fast.įixed channel changes on blocks with “Slow Bypass” are not smooth.įixed IR(s) not loading in Cabinet block when switching channels if previous channel had a slot Soloed.įixed presets with lots of modifiers (>20) and moderately high CPU usage can cause starvation of graphics thread.Īdded "59 Bassguy RI Jumped" amp model based on a ’59 Bassman LTD Reissue.Īdded “JP IIC+ Shred” Input Boost type to Amp block. Improved dynamic speaker modeling in Amp block. Improved Amp block channel switching speed.įixed side-chain filters not working in Gate block.įixed a filter in the Wah block not being initialized.įixed Tuner not working if Offsets are on. There are three models for each of the Purple and Red channels corresponding to the three levels of the “Aggression” switch. Note that the upper two bands of this type have more boost/cut range than the version in the Amp block.Īdded “Revv Gen” amp models based on a Revv Generator 120. Input 1 meter will turn red if clipping occurs.Īdded Speaker Impedance Curves for “2x12 Class-A 30W Silver”, “2x10 Heart Key” and “4x12 1960BV”.Īdded “4 Band JMPRE-1” type to Graphic EQ block. This is indicated on the Mini-Tuner.Īdded meters to Input page of I/O menu. This is an alias of the “Fat” control found on the Preamp page and performs the same function.Īdded clip warning if Input 1 clips. If only Cab 1 is in the grid both Amp blocks will follow Cab 1.Īdded “Treble Shift” control to Tone page of USA IIC+ models. If both Amp and Cab blocks are in the grid then Amp 1 will follow Cab 1 and Amp 2 will follow Cab 2. I.e., if the Cab Type in the first mixer slot of Cabinet 1 is, say, 4x12 5153 and the Mode is Dyna-Cab then Amp 1’s speaker impedance will automatically be set to 4x12 5153. When set to ON the speaker impedance curve of the Amp block will follow the Cabinet Type in the first mixer slot of the associated Cabinet block. The Amp block now features “Auto Dyna-Cab Impedance”. You can mix-and-match IRs from different cabs/mics and they'll always be perfectly aligned. They have been processed using a new algorithm that ensures alignment without destroying phase information. All IRs are time-aligned with each other.Four mic choices are available: Condenser, Ribbon and two Dynamic types.Mic positions are sampled at a fine spatial resolution.We took an approach of quality-over-quantity: Legacy is the previous style of operation.ĭyna-Cab cabinet modeling allows freely positioning the microphone. The Cabinet block now has two modes of operation: Legacy and Dyna-Cab. Version 22 Introduces Dyna-Cab™ cabinet modeling.
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